The 20 Brouwer Simple Studies (Etudes Simples, Fr.; Estudios Sencillos, Sp.), are good examples of guitar studies. From the first to the last. since many yeares I’m coming again and again back to Estudios Sencillos by Leo Brouwer. Recently I heard a recording by Ricardo Cobo – he. I’d recommend progressing to this after completing Brouwer’s Simple Studies. It consists of 10 homages to famous composers and are played in their typical.
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I know they are mostly pedagogical compositions, meant to practice on a tecnique, but I never really played a piece like this – I’m still learning, for now I’m still using tabs and chords notations. Is there any particular order of practices I should follow, or maybe analyze, or something like that? While I’d like to play the piece in itself, since I like it, I’d like more to take this as an educational experience to learn more or get better.
Practising studies estudios, in Spanish provides an excellent way to improve your playing technique. This is because pieces of this kind usually isolate a particular aspect of technique, allowing you to focus upon it. In order to do this, a study will usually simplify some aspect of the composition, so that it becomes easier to learn the piece and repetitively practice the highlighted technique.
For instance, a guitar study may maintain a relatively constant right-hand picking pattern, allowing the player to focus upon this technique. From the first to the last, they each focus upon an important aspect of classical guitar technique, while also always being satisfyingly musical compositions.
And these pieces don’t always focus upon the “traditional” areas of technique of earlier guitar studies, such as right-hand patterns and left-hand scales and chords.
Leo Brouwer | Etudes Simples (Estudios Sencillos) Volume 4
For example, they also deal with: And these are just a few aspects of technique that are dealt with; these pieces also allow the player to work upon more musical aspects of their playing, such as rhythmic accuracy. I’ll take you through a good approach to studying simpls piece; it should serve as a good process for other studies, too.
There are two stages to learning and using a study such as this Brouwer: Once this piece has been learnt, it can be used to focus upon R. However, in order to learn the piece, to allow this kind of practice, it may be easier to first take this aspect of the piece away, to make it quicker to learn to play the whole piece fluently.
This may sound counter-intuitive, but bear with me As the right-hand picking pattern is essentially the same throughout the piece, it may be quickest to learn this piece, by first focussing upon what does change: If one breaks the piece down into a series of chord shapes fingered by the left hand, and initially just practises the changes between these, it can make the process of learning the whole piece far quickerallowing one to then focus upon the true purpose of the study, right hand technique.
In particular, it is useful to “maximise” practice time, by paying particular attention to those chord changes which one finds most difficult, and repeating these correctly in order to learn them fluently. This is what the piece reduces to, if you take out the arpeggiation and just consider the chord changes in fact, only the filled notes need to be fretted, the others are open strings:. Similarly, once one starts to play the piece with the right-hand arpeggiation, it is a good idea to make “mini-exercises” from any changes that are difficult, in order to fluently change between bars measures.
Again, this “maximises” practice time and effort, by applying most effort to passages of the music which are difficult, rather than always playing from beginning-to-end. I recently started playing this study again, having not played it for many years. I found it particularly btouwer to practise bars as a “mini-exercise” as this seemed to be the first passage with a difficult left-hand chord change, and so making it difficult to play across the bar line fluently.
These are the sixth and seventh chords in the diagram above.
Leo Brouwer | Etudes Simples (Estudios Sencillos) Volume 4
Also, isolated practise of bars across the change of time-signature helped me greatly, as here it is difficult to damp the semiquaver open E bass note at the end of bar 22, so that it doesn’t ring under the open A in bar By following these steps isolating the L. This then allowed me to focus upon the actual purpose of the piece: And, of course, this is just the starting point; once one is able to play the whole piece easily, one can start to use the brouwrr to work upon other aspects edtudios technique.
Brouwer himself suggests an alternative picking pattern brrouwer belowat the start of the piece, but you could also experiment with: Although simplex ideas and this approach deal specifically with this single Brouwer study, I think this approach can work well for most studies although the specific way to “reduce” a piece will be different for different studies.
Home Questions Tags Users Unanswered. How to approach the study of a piece for guitar Leo Brouwer, Estudios Sencillos no. Dodicin 94 1 6. This is what the piece reduces to, if you take out the arpeggiation and just consider the chord changes in fact, only the filled notes need to be fretted, the others are open strings: I think you may have overused the word ‘excellent’ in the first few paragraphs.
I’m a bit of a Brouwer fan Hopefully this is a little less OTT now Thank you, you explained thoroughly, I really appreciate the effort you put into the answer! Now for the real question: How do you pronounce Brouwer? My memory of high school French is that ‘w’ doesn’t show up a lot.
The Estudios Sencillos by Leo Brouwer: How simple are they? – Classical Guitar
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